Events

VYACHESLAV GRYAZNOV in Recital in Boston

(Photo: Lisa Marie Mazzucco)
Boston music lovers will have a rare opportunity to hear Vyacheslav (Slava) Gryaznov in concert at
First Church Boston, 66 Marlborough Street, on Saturday, January 25, 2025 beginning at 8:00 p.m.

General admission tickets are $40, available online HERE and at the door.

𝐏𝐑𝐎𝐆𝐑𝐀𝐌

𝐋𝐈𝐒𝐙𝐓: 𝟏𝟐 𝐓𝐫𝐚𝐧𝐬𝐜𝐞𝐧𝐝𝐞𝐧𝐭𝐚𝐥 E𝐭𝐮𝐝𝐞𝐬, 𝐒. 𝟏𝟑𝟗

𝐆𝐑𝐘𝐀𝐙𝐍𝐎𝐕: 𝐑𝐡𝐚𝐩𝐬𝐨𝐝𝐲 𝐢𝐧 𝐁𝐥𝐚𝐜𝐤 𝐟𝐨𝐫 𝐩𝐢𝐚𝐧𝐨 𝐚𝐧𝐝 𝐨𝐫𝐜𝐡𝐞𝐬𝐭𝐫𝐚 𝐨𝐧 𝐭𝐡𝐞𝐦𝐞𝐬 𝐟𝐫𝐨𝐦 𝐆𝐞𝐨𝐫𝐠𝐞 𝐆𝐞𝐫𝐬𝐡𝐰𝐢𝐧’𝐬 𝐨𝐩𝐞𝐫𝐚 𝐏𝐨𝐫𝐠𝐲 𝐚𝐧𝐝 𝐁𝐞𝐬𝐬 (with G-Philharmonic virtual orchestra, here is an example of it and how it works https://youtu.be/tUXduDDAS88?t=1025)

𝐀𝐛𝐨𝐮𝐭 𝐭𝐡𝐞 𝐕𝐲𝐚𝐜𝐡𝐞𝐬𝐥𝐚𝐯 𝐆𝐫𝐲𝐚𝐳𝐧𝐨𝐯

Vyacheslav Gryaznov is a pianist of extraordinary mastery and artistry. The way he hears music and conveys it to the audiences is as captivating as it is unique.

Gryaznov was born in Yuzhno-Sakhalinsk, on Sakhalin Island on the Pacific coast. His parents were not musicians, but they became convinced enough of his talent to drop their lives in the Far East and move to Moscow so he could further his musical education there. He attended high school at the Central Music School of the Moscow State Conservatory. He moved on to the Moscow Conservatory as an undergraduate and graduate, receiving honors in both programs. After graduate study at the Conservatory, he joined the school's piano department as an assistant professor. In 2016 he was invited to join the Artist Diploma program at Yale University.

Gryaznov gave recitals in Denmark and Italy when he was 17, and has toured Europe, the former Soviet states, Africa, Japan, and the U.S., as well as giving numerous recitals and appearing with orchestras.

Gryaznov is also the author of masterful concert arrangements and transcriptions. His transcription works have been performed by many excellent pianists, ensembles and orchestras. They are heard in concert halls all over the world, and are chosen for prestigious international music contests like the Tchaikovsky Competition.

V. Gryaznov plays F. Liszt - Chasse-neige (Transcendental Etude No. 12)